Download Monsters Unleashed #7
Back in the old days, before the comics industry felt the need to censor its own product, EC Comics produced some of the finest science fiction comics ever published. One of the reasons why Weird Science, Weird Fantasy (and later, Weird Science-Fantasy) were so good was the work
of a lanky young man named Al Williamson. At 21, Williamson was the youngest of the EC family, but everyone was in awe of his draftsmanship. Williamson could draw bravura science fiction adventure like no one else, though it didn't hurt that he had the likes of Frank Frazetta, Roy Krenkel, and Angelo Torres assisting him with backgrounds and inking.After the collapse of the EC line of comics. Williamson worked for such companies as ACG, Atlas, and Harvey, to name just a few, bringing to the stories what he did for their SF and mystery titles the same superb rendering and palpable sense of atmosphere that made his EC work so memorable. In addition to the comic books he
did, Williamson also made significant contributions to the art of the comic strip, ghosting several weeks of Flash Gordon for Dan Barry, and assisting John Prentice on Rip Kirby. These last two assignments are particularly ironic when you consider that it was Alex Raymond's Flash Gordon that inspired Williamson to become a comics artist in the first place. Indeed, Williamson had been the primary proponent of heroic realism in comics, and is the rightful heir to the Flash Gordon mantle of Alex Raymond, something Williamson proved with his superb work on the King Flash Gordon title of the mid '60s, and on the Flash Gordon movie album adapted from the (otherwise wretched) DeLaurentiiss film.Credits
Cover painting: Richard Hescox
Script: Unknown
Pencils: Al Williamson
Inks: Ralph Mayo
- Reprinted:
- From ASTONISHING #60 (April 1957).
- From ASTONISHING #60 (April 1957).
- In Monsters Unleashed (Marvel, 1973 series) #7 (August 1974).
- In Monsters Unleashed (Marvel, 1973 series) #7 (August 1974).
